Wednesday, January 6, 2010

Katrina Warriors / V-Day : Jumpin' In The Pink & V To The 10th



POWER OF PINK: Second-Line Parade Draws Attention To Effort To End Violence Against Women

Originally published in:
The Times-Picayune
03/09/2008
By Ramon Antonio Vargas
Heidi Klee was driving along Oretha Castle Haley Boulevard on Saturday afternoon when she noticed a crowd of people with light-pink umbrellas and brass musical instruments. It didn't take her long to realize that someone had organized a second-line parade, and because she's never one to miss that kind of impromptu party, Klee said, she immediately parked her car and "followed the music." The parade, she discovered, was known as "Jumpin' in the Pink" and was being staged to celebrate the effort of the Katrina Warriors Network, working with V to the Tenth, to unite women of the New Orleans and Gulf South in improving their condition and opposing violence against women.

Wearing white Elton John-like sunglasses and a black hat, Klee, an Ohio native and Irish Channel resident, enthusiastically fell into step with the snare-drumming of Renard "Teeter-man" Henry and the trombone blasts of Larry Brown, both with the Free Agents Brass Band. The band belted out tunes such as "The Streets of Cairo" as the second-liners marched from the Ashé Cultural Arts Center in Central City to Armstrong Park in Treme. A marriage between jazz music and a message opposing violence against women simply made too much sense to pass up, so the Katrina Warriors -- a regional network of individuals and organizations dedicated to enhancing the well-being of women and girls -- decided to consecrate it with a tactic meant to draw passers-by like Klee.

All for awareness

The Warriors kicked off a monthlong "awareness festival" by enlisting the Free Agents and New Birth brass bands to lead the second-line parade. For the next month, the network will stage events such as a wine-and-cheese silent auction at the Craig Cultural Center and a six-week "Rites of Passage" curriculum focused on girls' self-esteem and empowerment. The festival will culminate April 11-12 at the Superdome, where "V-Day" will celebrate the 10th anniversary of the play "The Vagina Monologues" by Eve Ensler. The Superdome will be transformed for the occasion into "Superlove," a giant vagina enclosure offering speakers, singers, theater performers, storytelling, art and healing. Tickets to "Superlove" are free with the purchase of a ticket to the all-star production of "The Vagina Monologues" April 12 at the New Orleans Arena.

Among those scheduled to perform in Ensler's play -- which has grown into the worldwide V-Day movement to stop violence against women -- are Sally Field, Jennifer Hudson, Glenn Close, Salma Hayek, Jessica Alba, Marisa Tomei and Jane Fonda. Oprah Winfrey will perform a new monologue by Ensler. Musicians Faith Hill, Common, Eve and Charmaine Neville will also be featured. "New Orleans has one of the rich cultures of second-lining," said Barbara Lacen-Keller, the cultural outreach coordinator for the Ashé center and organizer of Saturday's parade. "We're collaborating with culture to celebrate the awareness of violence against women and girls."

"We hope people bring the message of V-Day, to end violence, into their own community spaces," said Jennifer Sachs, the festival's coordinator. The festival will focus on trying to spread the message against violence "through a celebration of creativity, activism and culture," Sachs said. While some members of the Free Agents Brass Band -- who said they had never before paraded alongside 40 people toting pink umbrellas with candy-apple red frills -- snickered at the event's offbeat name, they found their instruments were natural media for spreading the message the Katrina Warriors hope to convey.

Hearing the message

The revelry that bandleader Ellis Joseph and his mates ignited drew the attention of many motorists driving along Oretha Castle Haley and Martin Luther King boulevards, two of the streets where the second-liners paraded. Drivers slowed down and waved over marchers wearing light-pink T-shirts, asking them what was going on. The second-liners handed out fliers listing the next month's activities to the drivers and curious bystanders. Klee said that a parade like Saturday's is effective at getting "the buzz" going for someone trying to spread a message.

"It was very impromptu New Orleans," she said. "I just followed the music and here I am. A second-line is a party for the people, for any people -- man, woman, black, white, purple or green. Anybody can join the party that wants to." Not long after she fell into step with "Jumpin' in the Pink," Klee moved away from the formation and toward a group of men standing in front of a corner store. Seemingly unfazed, they started to pump their arms and bend their knees with the beat, chuckling as they danced with her. Soon a woman toting fliers handed them the list of Katrina Warriors events.

"People listen to us, man," bandleader Joseph said. A second-line parade "is something you can't get anywhere else in the world . . . (so) a lot of people know our worth. People listen to us and respond to us because they kind of consider us leaders in the community." Trumpet player Julian Gosin added that he hoped some of the notes he played fell on the ears of men responsible for abuse of women and had an effect on them. "Every time we play, we try to make something positive come out," he said. "That's what we try to do. That's all the music is. It's uplifting."
Steppin' in the Pink
http://krvexpress.org/?paged=2

V To The Tenth: Highlights From Participants


HEY KATRINA WARRIORS!!

The SUPERLOVE rocked, amazed, healed, inspired, gave thanks, networked, informed, hugged, kissed, ended violence, brought joy, told stories, sang, danced, performed, sold hand made goods by women, brought old friends together, crafted innumerable new friendships, forged new business opportunities, brought women home, raised money, increased awareness, refocused the media on New Orleans, reunited families, ignited stronger passion and focus on the environment, plugged in the men, powered the movement, and praised the women!!

XXOO,
Jen Sachs, V-Day V10/Katrina Warriors Festival Coordinator & SUPERLOVE COUNCIL

http://www.vday.org/anniversary-events/highlights

V-Day would like to thank the New Orleans community for welcoming us, embracing us and collaborating with us to make our Tenth Anniversary an exceptional, life altering experience. We stand beside you through the rebuilding and beyond.

V-Day would like to thank the hundreds of volunteers who have given their time, talent and expertise with love and enthusiasm. You have made V-Day’s vision of SUPERLOVE possible!

V-Day would especially like to thank the Katrina Warriors Network, with special thanks and love to founding members Carol Bebelle, Karel Sloane-Boekbinder and Crystal Kile. The Katrina Warriors Network is advised and mediated by a Katrina Warriors Council representative of Network participants and we are deeply grateful for their commitment to the Network and V TO THE TENTH. We want to thank Linda Usdin and the Katrina Warriors Network Outreach Coordinators Sarah Franz, Shana Griffin, Rev. Lois Dejean, Barbara Lacen-Keller and Colette Pichon-Battle for their dedication and commitment to bringing the women of the Gulf South and New Orleans together to celebrate with us at V TO THE TENTH. And a deep, warm thank you to Jennifer Sachs for stepping in and stepping up to coordinate all activities in New Orleans surrounding V TO THE TENTH.

V-Day is grateful for the support of Lieutenant Governor Mitch Landrieu and his staff, The City of New Orleans and Vagina-Friendly Mayor C. Ray Nagin.

http://www.vday.org/sponsors

http://tulane.edu/news/newwave/030708_guardians_flame.cfm

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LORE OF CARNIVAL INDIAN QUEENS

March 7, 2008

Fran Simon
fsimon@tulane.edu

Students taking a course in feminist documentation and new media are documenting a centuries-old New Orleans tradition in the African-American community. Using digital cameras, they are recording Mardi Gras Indian queens.

030708_Guardians_Flame1


Dressed in brilliant costumes, the Young Guardians of the Flame Mardi Gras Indian tribe emerges from a home in Musicians Village for the tribe’s annual Carnival procession. (Photos by Fran Simon)


Early Mardi Gras morning (Feb. 5) this year, Betsy Weiss, adjunct assistant professor in thecommunication department, led students to the Upper Ninth Ward of New Orleans to find the Young Guardians of the Flame Mardi Gras Indians at a house in the Musicians Village.

The queen of the tribe emerged, chanting a traditional song and beating a tambourine. Grinning boys and girls dressed in fiery costumes with orange and red plumage followed her.

The student documentarians followed the tribe on its meandering route through the Treme neighborhood to Congo Square and St. Louis Cemetery No. 3.

“It was our first time shooting,” says Grace Strother, a sophomore math major from Boston and one of four students operating digital cameras and sound equipment that day. “I think we got a little bit, but it was hard to keep steady while we were walking, so some [of the footage] is shaky.”

Strother says that the communication course appealed to her because it fulfills part of the public-servicegraduation requirement. This weekend (March 8 and 9), students in the class also will interview people in Mardi Gras Indian tribes and others who are knowledgeable about the tradition.

“We want to show strong, beautiful women in positions of power, who are doing important things,” Strother says, noting that the Mardi Gras Indian queens pass down the rituals to younger generations.

030708_Guardians_Flame2Weiss, a professional documentary filmmaker, says that the term “feminist” is not one that resonates with the current generation of students — they consider the term a bit old-fashioned.

Nevertheless, Weiss says, “I’m hoping that [the students in the class] will learn technical skills and learn how to report other people’s experience from a feminist perspective, rather than from an authoritarian viewpoint.”

She hopes that the students’ documentary will be screened in conjunction with the upcoming V to the Tenth event in New Orleans April 11–12, the 10th anniversary of V-Day, the global movement to end violence against women and girls through benefit productions of playwright/founder Eve Ensler’s award-winning play The Vagina Monologues.

Working with V-Day, the Katrina Warriors Network is organizing local events in the weeks leading up to the celebration.

In addition, Cherice Harrison-Nelson of the Guardians of the Flame tribe has plans to show the documentary at the New Orleans Jazz and Heritage Festival April 25–May 4.

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